Susanna Harris-Hughes was not only a painter and printmaker of great talent but also a dedicated scholar who embarked on a remarkable artistic journey. Her educational foundation was firmly established when she graduated from the Surrey Institute of Art & Design in 1993. However, her thirst for knowledge and artistic mastery drove her to further heights, culminating in the completion of her master's degree in printmaking from Wimbledon School of Art in 1998.
Harris-Hughes' artistic journey was marked by a series of solo exhibitions that showcased her evolving expertise and unique artistic vision. Notable among these exhibitions were "Crows & Chairs," held at the Lewis Elton Gallery, University of Surrey, a venue that provided a fitting backdrop for her creative exploration. Her deep connection to literature and culture was evident in exhibitions such as "The Waste Land," hosted at the esteemed Chelsea Arts Club, where she delved into the profound themes of T.S. Eliot's poetic masterpiece. Furthermore, she exhibited "The Sea, The Sea" at Cranleigh Arts Centre, a testament to her ability to capture the timeless allure of the sea through her artistry. Her work also graced the Yehudi Menuhin School in Stoke D'Abernon, emphasizing her diverse artistic range and ability to connect with different audiences.
In 2002, Susanna Harris-Hughes had the privilege of participating in an artists' residency at Fishbourne Roman Palace in Chichester. This experience undoubtedly enriched her artistic perspective as she immersed herself in the historical and cultural context of this ancient site. The same year, she played a pivotal role in the Borderlands Artists' Consortium's exhibition, "Junctions 1 – Flowers," held at the University of Surrey. Here, she collaborated with a palaebotanist, blending art and science to produce captivating digital images based on electron micrographs of pollen—a testament to her interdisciplinary approach to her craft.
Susanna Harris-Hughes possessed a profound fascination with mythology, notably the enigmatic Green Man. This fascination was beautifully expressed in her contribution to the 2003 exhibition, "Contemporary British Art," held at The Millinery Works. Her interpretation of the Green Man, a symbol steeped in folklore and mystery, added a layer of depth to the show, demonstrating her ability to engage with timeless themes through contemporary artistic expression.
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